The three of you reading this will recall, about a month ago in the midst of brain-freeze as to what to queue up for the next FSMOMYOTD, I offered my loyal readers the chance to choose to next one.
With all of America's horny guys pushing middle-age rushing in to vote,
Hardbodies won a landslide victory, leaving
Meatballs as the runner up. And both of those classics wore their Friday Morning stripes in the weeks that followed. But, if you look deep into the black hole known as memory, you'll recall a third option: a mid-eighties flick that actually stepped into that we-know-we're-in-a-horror-movie space a full decade before
Scary Movie and
I Know Who You Slept With Last Night, and all those parodies (which further spawned parodies, all starring at least two of the Wayans Brothers and Jennifer Love Hewitt).
Hardly anyone voted for this film,
but the votes cast came from famous, important places. Look at the supporters in the
comments: Martin Scorsese (just days off his Oscar win) & Bela Legosi (the more famous brother of "Bella Legosi" who showed up a week later to comment on
Hardbodies). With a crew like that, who am I to deny them.
Might as well do it. Ladies, gentlemen, film directors well past their prime, and dead horror movie icons-turned shameless junk fiends & stooges in sub-B movies, may I present to you, today's
Friday Silly Movie Of My Youth Of the Day . . .
Fright NightThis one came out in 1985, and I know I didn't see it 'til it came on cable, probably in 1986 or '87, making me 18 or 19. And by that time I began to pick up on, and enjoy, "cleverness" and all that shit. My romanticization of high school-era cable TV watching notwithstanding, it was really those winter breaks and summers during college -- mid-to-late 80's -- that represent the halcyon days of straight-to-video-flick watching. I'd already been away from home, I was becoming a man (yeah, whatever). I
knew I was more sophisticated, more aware, sharper than all the boneheads back in my hometown: parents, neighbors, high school friends, etc. After a semester at college, I was
experienced (and let your own internal euphemism-generators roll freely here; my college days were the same as yours -- whatever you think I mean, you're correct).
So, back at the ole' homestead, during those afternoons, evenings, & post-partying late nights when I watched classics like
Dr. Strangelove, soon-to-be classics like
Full Metal Jacket, and even a few non-Kubrick movies like . . . uhhh,
Hardbodies or
Fright Night, I watched them through a lens of self-proclaimed superiority. Yes, I was watching a mere titty flick, but my "sense" of tits was different than it'd been during high school. Sure, I might be watching a goofball comedy from the late 70s, but I now understood the
irony.
(Hey, what can I tell you? Think I'm intolerable now, imagine me at 19)
Well, that's what
Fright Night had going for it: irony, self-consciousness. Perfect for a collegiate snob-to-be still struggling to balance his teenaged need for comedy, action, thrills, and snickering sexuality with a growing appreciation of aesthetics, of cleverness, of what I'd come to think of as post-modernism, with its allusions & blurring of the line between art, entertainment, and real life.
Although, in fairness, we're doing a "silly" movie post here, and
Fright Night was silly. I'm not saying it was "important." I'm just saying I looked for that sort of thing during those times at home during college. So enough of that: The basic plot, as I recall, was that Charlie, his girlfriend, and their geeky/loser friend were huge fans of "Fright Night," a TV show hosted by a Vincent Price sort of guy. And they lived next door to a slick, handsome fella, who they were convinced was a vampire. Why?
Because the plot said so, that's why. And because -- again if I recall correctly -- he moved in at night, had large coffin-shaped boxes shipped downstairs, and sat on his porch sipping blood out of a clear bottle with a wedge of lime, all that sort of stuff.
(It
was the 80's, the era when Corona hit the scene and all the yuppies fell in love with it, but I made up the last part. Would've worked though, huh?)
The film had a breeziness that served it well, moving seemlessly from horror to comedy to the half-developed "we
know we're in a horror movie about horror movies" sort of thing I've been referring to. At least that's how I remember it. Maybe it was as "breezy" as a dump truck stuck in the mud. Nevertheless, let's get to . . .
The Cast:
Playing the protagonist, Charlie, was
William Ragsdale, who went on to greater glory playing "Herman" in
"Herman's Head," best known as the dumb TV show that proved Hank Azaria was too talented to be wasted on a dumb TV show. As for Ragsdale himself, he went on to do nothing more than appear in a bunch of TV shows I've never seen. He was in an episode of "Curb Your Enthusiasm" that I saw & liked ("The Five Wood"), but I don't remember him in it.
Continuing with the Fox TV show theme,
Amanda Bearse played Charlie's girlfriend in
Fright Night. She's probably best known as Marcy D'Arcy, Ted McGinley's wife, on "Married With Children." According to
her Wikipedia entry, she's been "openly lesbian" since 1993, which is really pretty early in the game to have been so open about that. In fact, in 2006, she directed the pilot episode of "The Big Gay Sketch Show."
Chris Sarandon was really good as the smarmy-but-evil Jerry Dandridge. Two years before perfecting the formula in
Princess Bride as Prince Humperdinck, Sarandon in
Fright Night was wall-to-wall false charm, leering smiles, faux sincerity, and easily unleashed violence. Along with Roddy McDowell, he made the movie.
He's been around for a while now, chalking up his first film role as "Leon Shermer" in 1975 in
Dog Day Afternoon. The mid-80s stands out as his "prime," with this one and
Princess Bride, yet he's played a series of odd or interesting roles over the last 20 years: "Frankenstein" in a 1987 TV version of
Frankenstein; Abraham Lincoln in both
"Lincoln & Seward" and
"Lincoln and the War Within" on television in 1992; and the voice of Jack Skellington in Tim Burton's incomprehensibly overrated 1993 sap-fest
The Nightmare Before Christmas.
Concluding the "main characters" portion of the cast, we had
Roddy McDowall as vampire hunter Peter Vincent. McDowall was in so many movies & tv shows (246 to be exact), it's all-but impossible to reduce his career to one role. But to me he'll always be Cornelius, from
Planet of the Apes. That said, he managed a few "moments" in his long career: an uncredited role in
one of the first FSMOMYOTDs,
Dirty Mary Crazy Larry;
"Flood!" a 1976 television disaster movie co-starring Robert Culp and Barbara Hershey that I remember seeing as a kid (hmmmm, future FSMOMYOTD possibilities abound);
Rabbit Test, an abysmal late 70s "comedy" starring Billy Crystal & directed by Joan Rivers (!); even an episode of
"Supertrain."Starring as Charlie's friend, "'Evil' Ed," was
Stephen Geoffreys. Steve had a few flicks worth noting, such as the mildly amusing
Heaven Help Us;
At Close Range, featuring an acting tandum we should have seen more of, Sean Penn & Christopher Walken; and
Fraternity Vacation, mentioned a few weeks ago by
Maurinksy as Tim Robbins foray into straight-to-vid teenage sex romps. But that portion of Geoffrey's career is of little or no consequence here.
What I find far more interesting is the
gay porn portion of his career. Yes, that's correct. After a stint in straight porn, "acting" under the name, Larry Bert in
Tell Me Something Dirty, Geoffrey began appearing under the moniker Sam Ritter in man-on-man hardcore. Wow! Starting in
Sex On The Beach, in 1994, he starred in about 30 more of these movies, mostly as "Sam Ritter," but also as "Stephan Bordeaux." And the best titles from this collection:
Mechanics Bi Day, Lube Jobs Bi Night,
Latin Crotch Rockets,
The Big Screw Up,
Cock Pit, & today's winner of the "Subtlety in the Title" Award,
Guys Who Crave Big Cocks.
(Guess they won't be needing me as an extra in that one. Alas.)
And you see, we're all about equal opportunity here at the FSMOMYOTD. I don't only write about the talentless
actresses who end up in porn.
Moving along, we see that playing "Detective Lennox" was
Art Evans. Based on Evans' roles, I'm gonna guess he's a Black man, and in fact his first part, in
Claudine starring Dianne Carroll & James Earl Jones, was as "Young Brother." 1974 being 1974, I don't think they meant "brother" in the filial/sibling sense. In 1976 he was in an episode of
"Chico & the Man" as "Bubba," and later that year he played blues legend
Blind Lemon Jefferson in
Leadbelly, directed by
Gordon Parks (
Shaft) and starring
Roger E. Mosely (T.C. on "Magnum"). Evans' resume stands as Exhibit A in the "Damn, it must've been somewhat humiliating breaking into movies as a Black man in the pre-Denzel/Will Smith Days," with such roles as "Tambo," "Junkie," "Abdul," "Baggage Master," and "Sanitation Worker" in the first 8 years of his acting career.
Hollywood Shuffle, indeed.
He ended up finding his way into a number of movies, and he's definitely one of "Those Guys" we've all seen numerous times, even if we don't know his name. It could've been
much worse. He could've had
Prince Hughes' career. Hughes, best known (?) as football player "Bubba Kincaid" on HBO's awful
"1st & Ten" in the '80s, also played characters named "Bouncer # 3" (that's the
Fright Night role), "Black Wino," "Scary Inmate," "Big Bubba," "Idi Amin" in
The Naked Gun (not quite Forrest Whitaker there), "Fat Ernie," "Rubbernecker," "Rat Bag Baxter," "Jumbo," "Pimp," "Orderly #3," and "Tiny."
Whoa. His "average" role would be a game named "Bubba," who was "Fat, Black Pimp #3." Maybe he should've considered gay porn.
Returning to the more-familiar FSMOMYOTD territory known as "Damn, it's
always been somewhat humiliating breaking into movies as a hot, young woman," we come to
Heidi Sorenson who played . . . you guessed it, "Hooker" in
Fright Night. She got her start in film as one of the vestal virgins in
History of the World, Part I, which she quickly parlayed into a selection as June 1981's Playmate of the Month. Later that year she appeared as "Herself," i.e., as a Playmate, on
"George Burns' Early, Early, Early Christmas Special," allowing me not too feel like too much of a dirty old man since George had over 50 years on me at that point.
And for her too, it certainly could've been worse! She could've had
Lene Hefner's career. According to
her IMDB bio, she was raised in a strict Baptist family, before embarking on her own hard-core porn career. (I'm telling you,
Fright Night wasn't an exploitation flick. Women, Black men, and homosexuals were
not forced into dead-end careers after appearing. I blame it on the vampires). Hefner (no relation, I'm assuming . . . though Hugh probably knew her) starred in a bunch of porn films with really,
really lame titles. I'm feeling robbed here. Except for one movie, we've got no puns, no double
entendres, none of that. Although she offered a strong challenge for today's "Subtlety in the Title" Award with the one exception, 2004's
Prettiest Tits I Ever Came Across. And why did that lose out to
Guys Who Crave Big Cocks for that award? Because
Prettiest Tits I Ever Came Across contains a pun.
Finally, Bob Corff, in his last acting role, played
Fright Night's "Jonathan." Not that he appeared in too many movies. Instead, Corff seems to have been one of Hollywood's premier "voice coaches," instructing the actors on their diction & delivery in such films and TV shows as
St. Elmo's Fire, "Silver Spoons," "Baywatch,"
Jurassic Park, and
Toy Story.
I don't know what to say. Those aren't exactly the best movies & shows in history, yet there were some serious actors and actresses in those efforts. Can you imagine a guy who played a nobody character in
Fright Night coaching Tom Hanks or Richard Attenborough on his vocal delivery?
I wonder if he also "coached" Sam Ritter & Lene Hefner?
Labels: Black Men Named Bubba, Exploitation, Hollywood Sucks, Lesbians, Vampires